Effect of shutter speed in photography. In photography, shutter speed controls the exposure time, i.e., the length of time when the film or digital sensor is exposed to light. The amount of light that reaches the film or image sensor is proportional to the exposure time. 1/500th of a second will let half as much light in as 1/250th. Shutter speed can have a dramatic impact on the appearance and quality of photographs, especially when the subbjects are moving. Very short shutter speeds can be used to freeze fast-moving subjects, for example at sporting events. Very long shutter speeds are used to intentionally blur a moving subject for effect. This is clearly shown in Figure 4.
Figure 4, Effect of shutter speed on the photographs.
Multiple combinations of shutter speed and aperture size (f-number) can give the same exposure value. According to exposure value formula, doubling the exposure time doubles the amount of light, while increasing the the aperture f-number by one stop decreases the amount of light by half. A shutter speed of 1/50 s with an f/4.0 aperture gives the same exposure value as a 1/100 s shutter speed with an f/2.8 aperture, and also the same exposure value as a 1/200 s shutter speed with an f/2.0 aperture, or 1/25th second at f/5.6.
Some cameras include one or two other settings for making very long exposures:
- B (for bulb) keeps the shutter open as long as the shutter release is held.
- T (for time) keeps the shutter open (once the shutter-release button had been depressed) until the shutter release is pressed again.
Shutter priority refers to a shooting mode used in cameras, where the photographer choose a shutter speed and allow the camera to decide the correct aperture. This is sometimes referred to as Shutter Speed Priority Auto Exposure, or TV (time value on Canon cameras) mode, S mode on Nikons and most other brands.
Cinematographic shutter formula. Motion picture cameras used in traditional film cinematography employ a mechanical rotating shutter. Rotary shutters are semicircular discs that spin in front of the film gate, alternately allowing light from the lens through, or blocking it. When blocking the light, the exposed frame of the film is advanced, and another, pristine frame is moved into position. The spinning disc and exposes the new
frame. The nature of light-sensitive film requires a shutter to block the light and prevent “smearing” of the image as the film is advanced through the camera. The shutter rotation is synchronized with film being pulled through the gate, hence shutter speed is a function of the frame rate and shutter angle.
Figure 5, http://126.96.36.199/Affonso_Beato/F65_First_Impressions.html
Figure 6, Changing the shutter angle affects the amount of motion blur.
On more advanced cameras the open portion of the shutter can be adjusted. This shutter setting is referred to as the shutter angle. Adjusting the shutter angle controls the proportion of time that the film is exposed to light during each frame interval. The primary reason that cinematographers adjust the shutter angle is to control the amount of motion blur that is recorded on each successive frame of film. With a traditional shutter angle of 180°, the film is exposed for 1/48 second at 24 frame/s. As the shutter angle decreases, the exposure time time decreases, which reduces the motion blur effect. Tight shutters create a stuttering stop-motion animation look that has become popular in action and war films.
Electronic shutter. Digital video cameras usually do not have an actual mechanical shutter. Instead, this shutter adjustment controls the amount of time that the electronic sensor collects light in order to create each successive image. Because electronic cameras do not need to mechanically advance film, it is possible for the shutter to be open for nearly the entire period of each successive frame. At 24 frames per second, it is possible to expose a frame for nearly 1/24 second, achieving longer motion blur otherwise impossible to achieve on film. It is even possible for the shutter to be open for multiple frames, far beyond that possible with a 360° shutter angle. One example is the Sony PD170 where the shutter can be set as low as 1/3 second; accumulating light across 10 frames (at a frame rate of approximately 30 frames of 60 interlaced fields per second for the NTSC version of the camera and 25 of 50 for the PAL version)
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